Giuseppe Ottavio Pitoni. (18 March Aliases: Питони Джузеппе Оттавио, Пітоні, Giuseppe Pitoni, Pitoni. ＝ C. Cantate Domino (Pitoni, Giuseppe Ottavio ). Sheet Music – £ – Giuseppe Ottavio Pitoni – Cantate Domino SATB. Buy Cantate Domino (SATB) by Giuseppe Pitoni/ar at Choral Sheet Music. Performable by almost any choir, this is the perfect choice f.
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John Lateran fromwhere Palestrina had served from toand for the Cappella Giulia at St. His best known work is the Dixit Dominus a 16 in 4 choirs. These file s are part of the Werner Icking Music Collection. From Wikipedia, the free encyclopedia. Cantate Domino Pitoni, Giuseppe Ottavio Genre Categories Secular cantatas ; Cantatas ; For mixed chorus ; Scores featuring mixed chorus ; For unaccompanied chorus ; Latin language ; For voice, lute arr ; For voices with solo instruments ; Scores featuring the voice ; Scores featuring the soprano voice ; Scores featuring the lute ; For mixed chorus, 2 trumpets, 2 trombones, timpani, organ arr ; Scores featuring the trumpet ; Scores featuring the trombone ; Scores featuring the timpani ; Scores featuring the organ ; For chorus with solo instruments.
Work Title Cantate Domino Alt ernative. In this Synthesized performance, I replaced the voice samples with woodwinds. Creative Commons Attribution-NonCommercial 3. Retrieved from ” https: He was buried in the Pitoni family vault in the Basilica of San Marcowhere he had served for some 66 years.
Cantate Domino: SSAA, a cappella Choral Octavo: Giuseppe Ottavio Pitoni
Creative Commons Attribution 3. This page was last edited on 16 Octoberat Because most of my Intabulations are never heard before, I decided to make a simple computer synthesized audio file for hearing control. In he returned to Rome for a lifelong appointment as maestro di cappella at the Basilica of San Marco.
He was extremely prolific, with some masses, Psalm settings and motets among the compositions listed by his pupil and biographer, Girolamo Chiti. His contributions to liturgical music in Rome were profound as composer, organist, maestro di capellawriter on music theory and history, and as esaminatori dei maestri for the Academy of St. He became one of the leading musicians in Rome during the late Baroque era, the first half of the 18th century. Intabulation in french Lute-tabulature for Sopran and g-Lute.
He prepared a complete year of music for St.
In addition he held a series of prestigious positions as maestro for Basilica dei Santi ApostoliRome fromat St. Such editions are also public domain in Canada because they fail to meet the minimum ‘threshold of originality’ to qualify for copyright as an ‘adaptation’. Italian Baroque composers births deaths Italian male classical composers Italian classical composers Italian Roman Catholics People from Rieti 18th-century classical composers.
Ptioni from ” http: Luisi Bologna, Notitia de contrapuntisti e de compositori di musica c ; ed. His use of stile concertato also included solo sections and concertante instrumental parts. Hence, the edition is public domain in its country of origin or a government publication. In later years he moved toward more homophonic textures with polychoral elements.
At the end of his life he was preparing a mass for canate choirs, left incomplete at his death. By age sixteen he was maestro di cappella at Santa Maria Maggiore, Monterotondoa historic church near Rome.
Cantate Domino (Pitoni, Giuseppe Ottavio)
Secular cantatas ; Cantatas ; For mixed chorus ; Scores featuring mixed chorus ; For unaccompanied chorus ; Latin language ; For voice, lute arr ; For voices with solo instruments ; Scores featuring the voice ; Scores featuring the soprano voice ; Scores featuring the lute ; For mixed chorus, 2 trumpets, 2 trombones, timpani, organ arr ; Scores featuring the trumpet ; Scores featuring the trombone ; Scores featuring the timpani ; Scores featuring the organ ; For chorus with solo instruments.
If pitlni I would look forward about a small reference to my efforts. It is said that his immense facility pitni him to compose the parts of a voice mass separately, without use of a score. Si spense a Roma nel More information about this can be found here. At Santi Apostoli he sang and studied counterpoint with Francesco Foggiawhere his early compositions were performed. Contents 1 Performances 1.